Julie Taymor and other creative minds share how they start their incredibly unique works
Posted by: Kate Torgovnick
July 31, 2013 at 1:32 pm EDT
Julie Taymor, the director behind Frida, Across the Universe and the Broadway reimagining of The Lion King, creates productions that tickle the senses. Filled with saturated colors, offbeat imagery, stacatto movement and big sound — each of her productions shares her unique style, yet manages to be completely distinct. In today’s talk, Taymor shares with raw honesty the creative struggle that goes into each of her works, including the super-sized Broadway musical Spider-Man: Turn Off the Dark. Given just before Taymor split from the production over creative direction, she reveals what she was hoping to achieve with the play — a “comic book coming alive” in three dimensions all around the audience. But perhaps even more interestingly for any creative person, Taymordescribes in this talk how she begins each project. “I start with the notion of the ideograph,” she explains. “An ideograph is a Japanese brush painting — three strokes and you get the whole bamboo forest,” she says. “I go to the concept of The Lion King and say, ‘What is the essence of it? What is the abstraction? If I were to reduce this entire story into one image, what would it be?’ The circle. It’s so obvious.” For The Tempest, her big screen adaptation began with the image of a sandcastle, the thing we build that always fades. So much is made in the creative world of “finding your voice.” But just as hard is figuring out your process — how you work, and the way you like to begin a project. Below, read illuminating quotes from some filmmakers, writers, artists, musicians and designers who, like Taymor, have given insight into the way that they like to work. Read more of this post
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