The rarity of quality work, low income from television broadcasts and the insufficient development of related merchandise has put 85% of Chinese comic and animation companies in the red
September 5, 2013 Leave a comment
Lack of quality puts China’s animation industry in a rut
Staff Reporter
2013-09-05
The rarity of quality work, low income from television broadcasts and the insufficient development of related merchandise has put 85% of Chinese comic and animation companies in the red. Meanwhile in Japan, legendary animator and manga artist Hayao Miyazaki announced his retirement on Sept. 1. His final feature film — The Wind Rises — set a box office record of 4.3 billion yen (US$43.22 million) within 16 days, a healthy earning in a gigantic market. According to data compiled by the Ministry of Culture, China’s output value for 2012 touched 76 billion yuan (US$12.4 billion), up 22.23% year-on-year. Nevertheless, the figure still lagged Japan’s 1.67 trillion yuan (US$273 billion) market scale.In 2012, domestically produced animation totaled 395 films and a combined 222,938 minutes, the largest amount worldwide. But this impressive amount did not generate profits for the industry and many companies had to rely on government subsidies.
One of the reasons for this may be attributed to the low buying price of provincial television stations, which pay merely dozens of yuan per minute and even broadcast them for free on municipal television stations.
Moreover, a great swarm of low-quality animations have drowned the development of related merchandise.
A Japanese book focusing on the comic and animation industry pointed out that only a significant number of quality work can sustain the downstream business, adding that downstream merchandise is capable of creating value ten times more than what can be generated upstream.
Citing Disney Pixar’s Toy Story as an example, Chen Shaofeng, a scholar at of Institute for Culture Industries at the Peking University, stated that after the movie hit theaters, 25 million toys were sold and nine sets were built in Disneyland. The total revenue from authorization fees and merchandise sales alone was pegged at over US$10 billion.
However, the capability of designing and selling products connected to animated films is lacking in China.
