Asia’s Animators Draw Inspiration From Japan’s Miyazaki

Asia’s Animators Draw Inspiration From Japan’s Miyazaki

By Mathew Scott on 2:28 pm October 16, 2013.

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A scene from Hayao Miyazaki’s hit film ‘My Neighbor Totoro.’ (Photo courtesy of Studio Ghibli)

Busan. As Oscar-winning animator Hayao Miyazaki heads into retirement, industry watchers say the next generation of Asian filmmakers stepping out of his shadow will struggle to match the Japanese master’s box office domination. “The view here is that there will be no ‘second Miyazaki,’” Tokyo-based author and film critic Mark Schilling told AFP. The market for Asian animation is dominated by children’s films, Schilling said, and not the more adult-themed productions Miyazaki became famous for, such as his Oscar-winning “Spirited Away” in 2002. The 72-year-old director last month shocked the industry — and his legions of fans — by announcing he was walking away from directing.The decision was made even as Miyazaki’s latest production “The Wind Rises” — a look at the life of the man who invented Japan’s Mitsubishi Zero fighter airplane — continues to dominate the box office in Japan. It has collected an estimated $115 million in takings since its July release.

That success follows impressive global totals from Miyazaki’s “Spirited Away” ($274.9 million), 2004′s “Howl’s Moving Castle” ($235.2 million) and 2008′s “Ponyo” ($201.8 million). “The Wind Rises” is scheduled to begin hitting screens in Europe and the United States from January next year.

Schilling — who translated the Miyazaki-themed book “Princess Mononoke: The Art and Making of Japan’s Most Popular Film of All Time” — said audience figures for many animators working in a similar hand-drawn style would inevitably fade.

“None of their films have scaled the Miyazaki-like box-office heights and it’s hard to see how they can in the future.”

Small market

The small marketplace has not deterred 35-year-old South Korean animator Yeon Sang-Ho, whose second feature “The Fake” was a hit with critics at the Busan International Film Festival held earlier this month.

“Animated films for adults are actually rare,” he told AFP, on the sidelines of the festival. “So even when a film gets money invested in it, it’s still difficult to get it released.

“Animators like me will just have to make people become more familiar with animation by making more films.”

Despite being lauded by critics — and picking up three awards at Busan in 2011 — Yeon’s debut “The King of Pigs” did not recoup its $150,000 budget from box office takings.

Undeterred, Yeon has infused his latest production with a similar brand of savage and profane social comment as he explores the story of a man locked into battle with an unscrupulous church leader.

The director, while acknowledging that the market for more mature-themed animation in Asia was small, said the reaction to his first feature and the inspiration he drew from the likes of Miyazaki and the manga artist Minoru Furuya (“Himizu”) had made him fiercely determined to continue developing his own style.

His films are noted for their ultra-realistic mix of computer-generated and hand-drawn images.

Creative control

Also capturing the attention of both critics and the audience in Busan was 23-year-old Korean Han Yeo-ul, whose “The Child Who Draws an Octopus” was the only piece of animation in the running for the festival’s major prize for Korean short films.

Han’s production uses a very child-like cut-out style which belies the weighty issues it conveys.

“Animation allows me to capture the innocence of childhood,” she said. “You can capture how the world looks through a child’s eyes but still look at serious issues.”

While Han also acknowledged the market was small, she said it gave her freedom to communicate more directly with her audience.

“You can express yourself more [in animation] than in other films. It is a very personal thing.”

Agence France-Presse

About bambooinnovator
Kee Koon Boon (“KB”) is the co-founder and director of HERO Investment Management which provides specialized fund management and investment advisory services to the ARCHEA Asia HERO Innovators Fund (www.heroinnovator.com), the only Asian SMID-cap tech-focused fund in the industry. KB is an internationally featured investor rooted in the principles of value investing for over a decade as a fund manager and analyst in the Asian capital markets who started his career at a boutique hedge fund in Singapore where he was with the firm since 2002 and was also part of the core investment committee in significantly outperforming the index in the 10-year-plus-old flagship Asian fund. He was also the portfolio manager for Asia-Pacific equities at Korea’s largest mutual fund company. Prior to setting up the H.E.R.O. Innovators Fund, KB was the Chief Investment Officer & CEO of a Singapore Registered Fund Management Company (RFMC) where he is responsible for listed Asian equity investments. KB had taught accounting at the Singapore Management University (SMU) as a faculty member and also pioneered the 15-week course on Accounting Fraud in Asia as an official module at SMU. KB remains grateful and honored to be invited by Singapore’s financial regulator Monetary Authority of Singapore (MAS) to present to their top management team about implementing a world’s first fact-based forward-looking fraud detection framework to bring about benefits for the capital markets in Singapore and for the public and investment community. KB also served the community in sharing his insights in writing articles about value investing and corporate governance in the media that include Business Times, Straits Times, Jakarta Post, Manual of Ideas, Investopedia, TedXWallStreet. He had also presented in top investment, banking and finance conferences in America, Italy, Sydney, Cape Town, HK, China. He has trained CEOs, entrepreneurs, CFOs, management executives in business strategy & business model innovation in Singapore, HK and China.

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